adam yauch + a humble reminder

Hearing the news of Adam Yauch’s death hit me in an unexpected way today. Seeing a facebook post that read “RIP MCA” led me to investigate and sure enough the twitter and tumblr-sphere were alive with RIP’s and condolences. I would say my fan cred lies in that grey area between die-hard and clueless, probably just like most people within my age demographic. I know all their hits and most serve as anthems for one life phase or other. The Beasties were a staple of suburban teenage-dom and discovering them was a rite of passage for any white kid trying to make amends with their rebellious streak. I remember thinking the music video for “Sabotage” was brilliant because it was a music video but it also pretended to look like a movie (how clever!), and it was campy, self-aware and bad-ass. I think that was the first video my friends and I recreated once we got our grubby little hands on a video camera, donning hipster moustaches before they were a thing. Anyway, having one of your adolescent idols pass away is inevitable and not all that uncommon. I remember the day Kurt Cobain died. I cried, and for months was scribbling “K.C.R.I.P.” on all my notebooks. The sadness and disillusionment with life came with the teenaged territory and we wallowed in our esteemed rockstars’ woes. Meanwhile we saved our lunch money for concert tickets and used our creative energy to make fashion statements out of safety pins and try not to care too much when our purple hair dye washed out and made it look grey.

So what does this have to do with the Beastie Boys and Adam Yauch’s death? The Beasties were different. They were positive and empowered. They were smart and worldly. Admittedly they had their misguided attempts in the world of role-model-dom, but they weren’t famous for their struggles. They were famous for being fucking rad, knowing how to party and having sick rhymes. And just like they didn’t live for their struggles, Adam didn’t die by his. He died from something that can happen to any of us. He died from something that happens to distant relatives and friends from high school’s parents. Or our heroes.

Obviously I’m not the same age as Adam, but sometimes sharing an imagined identity forms a much stronger connection than how long you’ve been alive. I can relate way more with the Beasties and their frame of mind than I can with a lot of people who share my graduation date or who watched the same after-school specials. I feel deeply saddened by his death. I feel humbled by the reality that no amount of external anything - fame, fortune, friendship or fly beats - can keep us from the inevitable. Adam’s death is a reminder of that; that thing we all know, but conveniently avoid as we put things off or fail to tell our fellow humans we love them. I hope he was able to be with the people he loved during his final days, and reflected on his life believing he’d done alright. I truly believe we all do our best, but allowing ourselves to embrace that truth can be the hardest of all. In the end, we all just gotta fight… for our right… well, you know. Peace and love in the next world Adam.

adam-yauch-1060205-flash

be nice to your _______ (self)

I just re-read the very first interview I did ever. I’m collecting press for my visa application and it’s proved a special kind of challenge—reading about yourself and the things you’ve written. A pressure mounts gradually, fuelled by petty fears and insecurities. A type of pressure typically only relieved by hearty belly laughs between friends, or a cathartic cry over the helpless nature of it all. In this case, I did both. And then I read the interview. Whatever judgments lingered were quickly dissolved when I read the part where I said my age: 21. That’s seven years ago. A quarter of my life ago. I was a baby. My words were laced with innocence and I read on with the curiosity of a mother reading her child’s poetry. No need for perfection, only subtle cues indicating where I was at, how I was feeling and what makes me me. It ended up being a really cool experience. I felt like I could accept a part of myself I’ve always avoided looking at. The innocent part. The part that really wants to do well, sound smart, have people like me, whatever. But that’s not who I am. Who I am is in my decision to even share myself in that way, my desire to make meaningful connections and continue questioning what I’m doing and why. I thought it was a sweet interview in the end. And it inspired me to think about why it takes seven years to be able to feel compassion for my journey, to not need to meet some ridiculous standard. Why not look at what I did a year ago, a month ago, a minute ago, with the same acceptance and understanding? It’s said that time helps put things in perspective, but how much time? By the time we even become aware of our experience, it’s already in the past, so we always have a choice of how you want to feel about it—with light-hearted curiosity or the fear-driven control of an over-protective mother. Whether it’s an important presentation or a macaroni necklace, we’re all doing our best to find ourselves and create meaningful expressions. So be nice. I’m certainly going to try.

If you’re curious, you can read my interview here.

"It is only with the heart that one can see rightly; what is essential is invisible to the eye." - Antoine Saint-Exupery

resolutions are my friend and i love them

New Year’s resolutions. I don’t know, I find the term overused to the point of mutilation these days. Often more referenced as a mockery than any serious act of commitment, my upper lip unwittingly snarls at the mere mention of it. And it’s not that I haven’t tried! Last year I sat myself down and expressed my desires for the approaching year—how I wanted to live better, do better and ultimately be better. I was actually a little nervous to go back and read it. Both because I’m always nervous to go back and read my writing for fear that I sound like an arrogant a-hole, but mostly because I was concerned I had been a total failure. Despite my hesitation, I dug it up and was actually pleasantly surprised. I don’t think I sound too arrogant, and I’ve made progress in all the areas I wrote about. Sure, there have been failures, but I’ve been far more consistent in my commitments, focused on building better relationships and have even developed a practice of doing things I’m not amazing at, and enjoying it even! Last year I performed a song onstage, something I never thought I could do. And I even read a whole chapter book! (Kidding, sorta.) So I actually feel pretty good about the little wins, as well as some other breakthroughs I’ve had throughout out the year. Still, the whole notion of making “resolutions” at New Year’s launches me into depressed teenager mode, shrugging at the dinner table when asked about my day. “I dunno.” I went to one of my favorite yoga studios for a special two-hour class today. I figured it would be a good way to start the year—to connect, reflect, feel strong and push myself. I love this particular teacher too, she has a way of dropping pearls of ancient wisdom mixed with her own experiences in the most humble and accessible way. However, as you can imagine with any yoga class that adds spiritual and philosophical teachings to the physical practice, it was only a matter of time before “New Year’s resolutions” came into play. In my head I was like, “nooo, you can’t make me.” But I’m also the type of person who, when I engage in something, I want to do it full on. My mantra is typically to save the judging for later and just go with it; which, upon reflection, has lent itself to some pretty interesting stories, but that’s another day. So I reluctantly picked an “intention” for the new year, came up with some random words that seemed sufficient for the occasion. I was even feeling a little self-righteous about my active participation until she suddenly announced what we were going to do next: “partner work.” *Gasp* And I was doing so well. To me, this is akin to attending a poetry reading and being told you have to get onstage. Like, I didn’t sign up for this.

I’m not even sure what’s at the root of my resistance to it, but I’m sure it’s mostly to do with social anxieties and the awkwardness of touching someone’s sweaty yoga body as they put themselves in vulnerable positions, in your face. Usually, I’m scanning the room in my head for my most preferable candidate, all the while judging myself for being so superficial. But this time we were automatically partnered with the person across from us. For me, this meant a shaggy haired middle-aged man with a sort of stoner vibe and an oddly endearing boyish awkwardness. I tried to make eye contact with him to show him I was totally cool with it, but he never looked at me, at least not when I was looking. So it came time for us to touch and stretch each other and I stubbornly forced myself to embrace the experience. And that’s when it hit me: none of the shit that’s going on in my head is actually happening! I let go of my insecurities, squeezed his sweaty palm, breathed deeply and embraced him affectionately as if we were old friends. It felt great! Not only did I “get through” the thing I don’t like, I actually learned to enjoy it, maybe even love it  little. I love doing partner work! Haha. This is a revelation, because at the end of the day, it’s just better to love shit.

So I’ve discovered my New Year’s resolution. As with most things in my life, not without great resistance, but I come by it honestly. My resolution this year is to embrace the things I fear and learn to love them. It’s not enough just to grit your teeth and get it over with. You need to open yourself and find a way to love what frightens you, make peace with it, invite it into your home, serve it tea, give it a massage, you get the idea. Only then can it seize to have any power. I think sometimes we aren’t even aware of what scares us because we’ve developed such incredible strategies to avoid the discomfort. Whether it’s certain types of people, environments, activities, abilities, we have lists of excuses to keep us safe in our comfort zone and give our fears the nourishment to smother our experience of love, and of life. Kinda makes me want to take my inner teenager out for pizza, aaaw.

I recently watched the film Another Earth. It’s a spectacular film and I highly recommend it, but there’s one particular scene that really stood out for me. The main character tells a story about a Russian cosmonaut who... well, you should watch it. It demonstrates what I’m trying to express quite beautifully. (Also, the dude kinda looks like the guy from yoga. Weird!) Find what you resist, and learn to love it. Become friends with your fears and you will gain ultimate freedom. Happy New Year friends!

Shooting #Catfish in a Barrel

***I wrote this a while ago and just re-discovered it. It brings up questions I'm always curious about, so I thought I'd share and hear what you think*** One of the first blog posts I ever wrote was around the time when there were all sorts of scandalous reports challenging the accuracy of James Frey’s memoirs, A Million Little Pieces and his follow up, My Friend Leonard.  Jt Leroy, the troubled, young, writing wunderkind, had also just been outed as a creative scheme with a middle-aged San Francisco woman at the helm. In all honesty, despite my intellectual musings about how all our stories are ultimately fiction, I felt sad and disappointed, and a bit of a fool. I had devoured James Frey’s A Milion Little Pieces. I cried when his words sang into the hollows of my own despair; I sighed when his imagery echoed the experiences of my own father’s struggle with substance abuse; I laughed when his self-conscious inner monologues sounded all too familiar. Needless to say, I was moved. Just as I was moved reading JT Leroy’s far more raw and provocative works. Evidently, I’d read all his books before he became a counter-culture icon; Asia Argento directing and starring in the film version of one of his books. I was a fan. I had friends who were “friends” with him. I’d even met him at a film festival party in Toronto. I was too shy to introduce myself or share how much I’d enjoyed his work. As was typical, he was wearing massive sunglasses, a hat and I think even a wig. He had a whole persona. He was brilliant, shy, tortured and innocent all at once. That’s what made him so appealing.

So what does it mean when our illusions are shattered? When what we think is real—people, stories, events—turns out to be fiction? Does it matter? Yes, it matters. Of course it matters. If we don’t have truth, then what are we left with? Well, I think that’s the most important question of all, because in the end, there is no truth. The past doesn’t exist in the way we think it does, or want to believe it does. There’s no magical history book that documents life’s events, ensuring an accurate record we can reference at will. No, the past only exists in our experience, in the present. And since time is always moving forward (presumably), and the present is always changing, so are we—along with our thoughts and memories. So when I ask again, does it matter if our stories are fact or fiction? Does it make our tears any less real if we discover a tale to be tall? My answer is no. It shouldn’t. Or at least I don’t think it should, but that doesn’t mean I don’t feel compelled to protest against false advertising (which is really the underlying moral issue). No, I have those feelings because I’m a human being and I want to feel like I know what’s real and what’s not. It even makes me more survivable to know the difference between a real tiger and an Imax 3D one. The only real danger is when I’m so afraid of the feeling of unpredictability that I think the tiger isn’t real when it is.

I feel like I’m sort of shooting fish in a barrel here, since I was fortunate enough to play a character on tv who was faced with this exact struggle. Très apropos. Everything she knew to be true was dismantled right before her eyes. I mean, we’ve all had experiences when the truth stung, when the cold, dismal reality of someone not being who we thought left us shattered and untrusting, but you have to admit Cally met a particularly unfortunate fate. Not only was her husband not who he said *spoiler alert* (she was torn up at the idea of him having a measly affair), but he turned out to be the epitome of everything she feared and had fought against her entire life. He wasn’t just not human, he was the enemy. And he wasn’t just her husband, he was the father of her child and the only person she ever truly trusted. So yeah, pretty harsh. Needless to say, she didn’t handle it very well, and who can blame her? But it’s unsettling to recognize how much our identity is wrapped up in what we think we know. Not to get too spiritual or anything, but I have a hard time believing we’re solely made up of atoms and energy that ferments into some sort of “consciousness.” I believe we are more than just our bodies, more than our minds even. And if we knew this, maybe we wouldn’t disintegrate if we discovered something we thought was true to be false. We would simply be “ourselves” with a new perspective. Is that really so bad? It certainly feels like it at times, but perhaps that’s the beauty of being human—discovering the truth beyond “knowledge.”

So I just finished watching the movie Catfish. *spoiler alert - watch it!* Let me just start by saying I thought it was brilliant. Intentional or not, the fact it pissed people off and caused speculation as to its “authenticity” is win/win. I was so uncomfortable through the whole thing. I was uncomfortable with what was happening in the film, enthralled with its characters and their unlikely story, and I was uncomfortable with what was happening in my living room, frustrated with my own inability categorize what I was seeing and make sense of my own emotions. I fell into this recursive loop of existential uncertainty, only to be sucked in by scenes where I thought to myself, “You couldn’t make this shit up!” Only to be violently pulled in the other direction, thinking, "There's no way this is real!" I’m not going to give an opinion as to whether I think the film is real or fake because, quite honestly, I don’t care, and it doesn't matter. That’s the best part! It was so well done and the questions it raised are questions we should all be asking regardless; whether it’s by projecting on people having experiences in a documentary, or whether it’s through our own experience watching a “documentary” and speculating its legitimacy. Like a chinese finger trap, hating on it only distracts you from the truth, wrapping you tighter in your own limiting and warped delusions. And yet, I am only human after all, and I would just sleep a little sounder if I knew, like, was that shit for real or what?!?!

Further reading...

review of Catfish on The Documentary Blog

musings on "authenticity" by Andrew Potter

"Jt Leroy"

James Frey on Oprah

#NYCC and me

The week post-NYCC has flown by, yet it also feels like an eternity ago. The contrast of daily life against the sci-fi and fantasy Disneyland that is New York Comic-Con, is not a transition one traverses lightly; or at least I don’t. Like emerging from the wardrobe after discovering Narnia, I’m still dusting snowflakes from my hair or, rather, quippy buttons, flyers and business cards. I met so many amazing people and went on some pretty cool adventures (some I’ll talk about here, some you might have to read about in my unauthorized biography #pretendingtobefarmoredangerousthaniam). But all in all, it was an awesomely fun, productive and exciting weekend.

Even though the media guests were sanctioned to a far away wing, I was stoked to see all the friendly and loyal fans who came by to grab an autograph, snag a t-shirt, or just to say hello. The laid-back pace was actually a welcome break. Hanging out all weekend allowed me the freedom to come and go and carry on real conversations, rather than frantically packing in a rush of autographs in just a few hours. Admittedly, I only ventured out into the madness twice. On Saturday, I naively walked around artists alley thinking it was the main attraction. A friend of mine with a comic book booth educated me on the different smells emanating from the different areas—that way if I got lost, I could navigate using my ninja olfactory skills. According to him, the publisher’s area was the most offensive, but I didn’t test his hypothesis. I chatted a bit with the cool and talented Cat Staggs, who was kind enough to give me one of her books. Apparently she’s going to be making some BSG art in the near future, so you should definitely keep an eye out. You can find more of her artwork on her site. I also tripped over Scott Adsit (Pete from 30 Rock) pimping out his precious sketchbook for artists to draw/paint/doodle/make magic in. I learned about his idea last year, but this year I actually got to see some of the fruits of his many travels and contributions from incredible artists. I’m not sure how many sketches he has in total now, but it’s an impressive amount and he’s somewhat modest about it; either that or he’s a little self-conscious about the inherent geekery in such an undertaking. I personally think it’s awesome! I also love anything that challenges the fan/celebrity separation. At the end of the day, we're all fans of something, right? And if you're not, sucks to be you! Anyway, I digress, Scott was also kind enough to be excited about my “OH MY GODS! THEY KILLED CALLY” t-shirts and even sported his very own on Sunday. If you catch him in any pics or videos that day, you’re sure to see him representin’. Thanks again Scott! If you're in the city, catch him doing Celebrity Autobiography. It sounds super hilare!

On Sunday I had the good fortune of having a dear old friend from Vancouver serve as my sidekick. So during the slow times we got to catch up and reflect on the good ol’ days kicking around Vancity. It was really nice, and always humbling to have old friends to help you remember how far you’ve come. It was also really neat to hear her perspective on the convention. She moved to NYC seven years ago and has since become a hugely successful and sought-after stylist. She loves her job, but will be the first to admit the fabric holding together the commercial and fashion industry is one of carefully constructed facades and shiny veneers. Her and I have always bonded over our mutual love and appreciation for the nerdier side of life, so it was perfectly apropos for us to unite in such a setting. Her comments on the event were both refreshing and endearing as she compared the people at the convention to the people she normally works with. Sure, they both dress up in outrageous outfits, some of them even with outlandish make-up and accessories. They both obsess over material commodities and identify themselves with their specific interests; most of them form social groups as a result of these interests. But still, there seems to be something tangibly different about these “genres,” if you will. I might be so bold as to say that sci-fi fans seem genuinely happier than my experience of fashion-industry types. But aside from that, I feel the major difference is expressed in their intent. Rather than trying to create an image in order to fit in and be liked by others, comic and sci-fi fans are expressing themselves in a way that is not typically accepted by mainstream culture, and cons are the one place they can actually share that passion with others. I don’t get the sense that con-goers are trying to be cool; in fact, it’s cool not to be cool at a con (the irony is not lost, but you get my point). To put it simply, I it seems like people at conventions come together through a shared LOVE of something, rather than a shared FEAR of something. And that's just cool.

Well that’s enough waxing philosophic for now... More to come on Baba Brinkman’s Rap Guide to Evolution, the Occupy Wall Street protests, and some more cool (mis)adventures I embarked on last weekend.

Oh, and did I mention, I KILLED it in this Black Eyed Peas dance game? KILLED. IT. :)