life, after death

I am not so arrogant as to think the universe has singled me out to teach me a lesson, but there are times when the plot twists are so perplexing that it would be arrogant not to search for one. In the last two months, four people close to me have left the world as I know it. Until now, I had been mostly fortunate to have avoided the harsh realities of mortality, but as the saying goes, when it rains, it dumps an ocean on your unsuspecting ass. I feel as if my very foundation has been swept away, flooded with new possibilities of finiteness, loss, compassion, regret. Stories in the news of someone dying are no longer abstract. The connection with someone who has also lost a parent is palpable, a calling card of uninvited, unrelenting wisdom. Petty concerns are infuriating, confusing, and altogether the perfect distraction when the pain and uncertainty is just too much. My reality is both more empty and more full. A paradox of better understanding the nature of the universe and coming to terms with the fact that it makes no sense. 

I think most of us are born with, or adopt or are taught, the delusion of permanence. Our parents will always be there — we have to believe this because if not, we will die. Even if that’s not entirely true, it’s how we feel. They are the source of life, of security, of happiness, and coming to terms with their human-ness is hard enough, not to mention their mortality. I always knew intellectually that losing a parent was a rite of passage of sorts, something impossible to truly understand until it happens. The loss of a friend, particularly someone who showed no signs of sickness or even weakness, someone who loved life and loved his friends, is another puzzle that can only be solved once the pieces are in front of you, if at all. Even the passing of someone who fought in wars decades before you were born is a shock, because somehow once someone has lived to the ripe old age of 96, they appear eternal. I suppose it feels as if we will all live forever, until we don’t. Death is something impossible to grok until you face it, and by then it’s too late. And those of us who are left to witness the impermanence of our loved ones, our heroes, and even our enemies, can only honor that loss by questioning the very purpose of this absurd and beautiful opportunity called existence. 

Even the youngest of Tibetan monks learn to meditate intensely on death and impermanence. Although they believe in an afterlife, the uncertainty of what form that will take gives added weight to the importance of the human experience and living a meaningful life. While it's impossible to know what comes next, I find it practical to hedge my bets. In other words, if there is an afterlife, I hope I will have done enough good in the world to have earned a good rebirth; and if there isn’t, well then I hope I did enough good in the world to have left the place a little better than how I found it. All I know is that my soul, or whatever “stuff” I’m made of, has the opportunity to experience life now — in all its confusing, complex, painful, and messy magnificence. I was sharing with a friend recently that I was feeling guilty that my dad might have waited for me before he finally passed, that I had participated in prolonging his pain. He fought so hard for every breath, just as he had fought so hard for everything in his life, and never, never complained. My friend replied, “life is pain.” And it’s true. Why would I want to take that away? We shouldn’t shun the pain. It’s how we know we’re alive. We simply have to learn to be with the pain, to not be afraid of it, and to embrace both the emotional pain of loss and the physical pain of pushing against our boundaries. Pain is training to live, comfort is… well… the opposite. 

There came a tipping point for me, in the midst of a cycle of sorrow I thought I might never climb out of, when I realized the source of much of my suffering was the unwillingness to accept uncertainty. My whole life I’ve been trying to control, to predict, to keep myself safe — from harm, from making mistakes, from losing people I love — but it’s a rigged game. There is no possibility of controlling these things and there are no winners when you try. Getting what you want only reinforces the delusion that it’s possible to control and that our attachments are worth using all our energy to keep. Targets are good, don’t get me wrong, but in the end, it’s not hitting the targets that matter, it’s the number of arrows you've shot. If you spend too much time waiting, lining up your shot, worrying that you might miss, you will most certainly miss the most important thing of all — you. I’ve realized now that instead of hitting a bullseye, I’d much rather have the target, and everything surrounding it, covered in arrows, broken, backwards, buried. Who knows? I might hit a target I didn’t even see! Didn’t Schopenhauer call that genius? Whether it’s the wind that carries it astray, my own poor aim, or someone else’s arrow, it doesn’t matter. What matters is that we shoot. What matters is that we try. There is so little we can really control, perhaps nothing beyond our own experience, and even that would be debated by Pavlov. 

So maybe it’s not so much a lesson I’m looking for as it is a new way of moving through the world. Paying attention to the details but not getting lost in them. Caring about what people feel, not what they think. Doing things today that can be done tomorrow. Striving for the things that matter to me, not what’s written in my programming. Having the self-awareness to question even my strongest beliefs as well as the humility to change them. Facing adversity with vulnerability and compassion, for I am not alone in my fear, but if I run away, I will be. Death, I guess you could say, has planted the seeds to understanding the nature of aliveness. All I can do is water them with my tears and hope that from the darkest shade will grow the most beautiful garden, which one day too will die, making it all the more precious and alive. 

wrestling with myself

I’ve grown accustomed to oddities and surprises at sci-fi conventions, but there was something about walking toward my signing table and seeing a full-scale wrestling ring that caught me off guard. Atop the carpet of the hotel’s chandeliered grand ballroom, as if it had landed from outer space, sat a square, roped off stage—a scene usually contained inside the televisions and imaginations of teenaged boys. Its emptiness only made the context seem stranger, yet the costumed men at the tables surrounding it made the spectacle more digestible. Did I say men? There were women too. Tattooed, pierced, and mohawked, some sported shiny, bulging muscles; others were small and unassuming, surely revered for their acrobatic skills. I couldn’t help but flash to scenes from The Wrestler. And not just scenes, but all the emotions that went with it—a nauseating cocktail of excitement, sadness, curiosity and nostalgia. I spent the first half of the day in observation mode. During my breaks from signing autographs and making small talk with fans, I studied the wrestlers and their wares, their handwritten signs and championship belts, their intense and controlled energy, and their undeniable boredom. As I do with most things, I romanticized the situation to make it more palatable, but once my arrogance became too bitter, I resolved to introduce myself and see them as people just like me.

I stroked SnakeMaster Jeff’s albino boa constrictor. Oh, stop it. He told me about his nineteen pets and I imagined him alone in his house, feeling misunderstood except for the animals who loved him unconditionally. Then I learned he’s been happily married for years. Once again my arrogance hovered over me like a storm cloud. Thankfully, the ice was quickly smashed, as all the wrestlers were super fun and friendly, and some were even BSG fans. They invited me to the show later—not that an invitation was necessary, but it was more a matter of, “So, are you coming to the show tonight?” To which I replied with slight hesitation, “Yeah, sure!”

As the hours wore on and I relished in the quiet of my hotel room, the thought of going back downstairs into a massive crowd to watch grown men (and women) beat each other in the name of entertainment was not exactly the most appealing direction I saw my night heading. But I thought about my new pals, and I imagined greeting them the next morning with a contorted smile after missing the show, and that didn’t feel good either. I also thought about the fact that I was in Miami with the opportunity to witness something I’d never seen before, and whatever discomfort I was experiencing was even more reason to go and face it. So I made the trek, through hallways of wizards and Boba Fett wannabes, and I continued to feel more uncomfortable. The hall where I had earlier spent my day casually signing autographs was now filled with excited wrestling fans. Faces in the crowd pointing and whispering, I imagined things like, “Is that Cally from Battlestar Galactica standing over there? Why is she all by herself? She looks lost.” Oh yes, even I am not immune to making shit up to feel more in control of the situation, but I tried to move around and look like I was engaged in the evening’s entertainment. Though I have to admit, what I saw was met with emotional resistance. My attention was continuously drawn to the crowds, studying their faces, trying to understand what they feel and why they’re drawn to such displays of violence.

I didn’t get it. I was trying to, but I just couldn’t grasp grown men pacing around a ring, exchanging powerful blows, and demanding the audience’s complicity through cheering over another’s demise. Still, I’m stubborn enough that not being able to figure out the appeal only motivated me to keep watching. If I had left then, I would have felt as if I’d given up. By that point I’d moseyed on over to a table where a few men were seated. I leaned on the table and did my best to look casual and interested in the match, but not too affected. Lucky for me, I started chatting with the guy next to me, who happened to be friends with the referee. He started telling me what was really going on, the messages passed covertly to signal the next move, the politics of winning, and even some background information on the major players. Suddenly it was like I was watching it through a new lens: a lens that exposed the humanity where before there was none, a lens that allowed the skill and care of each move to come into focus, and a lens that crumbled my judgments and inspired me to just get over myself and see it for what it was: a game of strategy and skill, a performance requiring precision and self-awareness, and a metaphor for our power and celebrity obsessed culture.

The next day I was over-flowing with questions for the wrestlers. How did they get interested in wrestling? What did it mean to them? How did they train? Who were their heroes? What else did they do? How has it affected their personal lives? Did they date other wrestlers? I was especially interested in hearing from the female wrestlers, because the tendency for gratuitous violence seems less natural for women. One woman was kind enough to share quite a bit with me—the joys, the struggles, the successes, the romances, the politics—and I genuinely felt myself becoming some iteration of a fan. But because when I get interested in something, I don’t just like to read about it in a book, I half-jokingly asked if I could be part of the show that night. Which was pretty much all it took—once they realized I was serious—and the next thing I knew I was practicing roundhouse kicks backstage before my big debut!

Well, okay, it didn’t all happen quite so fast. There were several hours where I was stressing out, wanting to come up with a plan, a routine, a character, something! I felt so out of my element and I really didn’t want to embarrass myself in front of thousands of screaming fans. I really wanted to do a good job and justice for them allowing me to participate. But every time I tried to make a suggestion or ask what we were going to do, they were like, don’t worry about it, we’ll figure it out. Even though I intellectually understood that this is what they do every weekend and it’s really no big deal and I’m sure it’ll be fine, I was still freaking out inside—but in a fun, excited way. As we approached the start of the event, I finally got together with the other two girls to figure out what we were going to do. The energy backstage reminded me of putting on plays in high school, everyone with their costumes, props, rehearsing and hanging out. Which, again, brought a whole other level of humanity and feeling of community to my understanding of wrestling.

I don’t want to give away too much, but let’s just say we did what we did to prepare, and then I was left to wait for my big moment. It must seem funny that an actor would be so nervous about something like this, but I really had no idea what it was going to be like, or what I was going to do, or how I was going to feel, once I got in the ring. The level of uncertainty felt exponentially linked to the screaming crowds too, not to mention the men doing backflips into the ring in front of me—very different than the confines of a soundstage or a theater. In any case, I patiently waited for my cue as a ran through the routine in my head. I was to present a gigantic trophy to the winner, Chun Lee, at which point mohawked punk rock girl (the loser) would grab it from Chun Lee’s hands. What happened next exists as a series of stills in my mind, where we clotheslined punk rocker, I climbed the ropes, kicked her in the face (she really ran into my foot!), then I pounced on her for a final count. It was surreal. I was so stunned by the kick, I almost forgot to go pin her down. And once it was all over, I had no clue what to do. The crowd was cheering and suddenly (clearly inspired by my sheer bad-ass-ed-ness) they started yelling “Frak! Frak! Frak!” So I did what I thought any self-respecting wrestler would do and I climbed the ropes and pumped my fist in the air yelling, “Frak! Frak! Frak!” That’s when I had a real out of body moment, watching it all happen happen, almost as if in slow motion, seeing the absurdity, hearing my own disembodied voice, and yet being fully committed to the role and the experience.

I left that evening feeling fuller. Not because I had found my calling as a professional wrestler, or because I got people to cheer in my favor, but because I broke a barrier for myself. I challenged myself in an area I felt resistance, and not only developed an understanding of it, but embraced it. I felt closer to every wrestler and every wrestling fan in that room, and beyond. I felt my curiosity for other things kindled in the realization that avoidance only fuels the discomfort. If we really want to free ourselves from our fears and limited perspectives, if we really want to live in a world where people honor one another, instead of judging and criticizing, then we need to go where we don’t want to go. I can’t say if I’ll ever wrestle again, or if I even think it’s a particularly value-building form of entertainment, but I will say that I feel less afraid of it, less judgmental of the people who do it and adore it, and I feel more human as a result.

FSCW Women's Championship match at Supercon

worn threads

It’s been nearly five years since I last laid eyes on it, and yesterday, I had the unique opportunity to wear my BSG costume. Not a replica, not a spare, THE costume I wore on the show. It still carried the correct insignia and was covered in fake dirt, but it had the slight scent of something that had been sitting in a box for months. When I was approached with the idea of dressing up at New York Comic-con, I was thrilled and thought it would be a great gag. What I wasn’t prepared for was the landslide of thoughts and emotions that accompanied the simple act of putting on an outfit. At first it was surreal, seeing my name—Cally’s name—written on the tags of my tank tops, just like my neatly labeled gym clothes in elementary school. When I emerged from the ladies room in full garb, like a little girl playing dress up in her mother’s clothes, I couldn’t help but feel a little exposed and out of place. Ironically, a sci-fi convention is the last place to not fit in playing a character from a show, but I knew I didn’t have the same intent as the cosplayers around me. So what was my intent? Initially, it was simple: have fun, interact with people at the convention, and play with whether people would recognize me or not. Within a few minutes of walking around, that objective was met with ease. I even got asked to do an interview about cosplay, which I gracefully declined.

For the show I’m hosting now (more on that later), we filmed a few shots of me getting into character. I saluted and stood stiffly at attention. The memories bubbled up like a hot spring, and along with those memories came a certain pride and recognition of what it meant to be wearing that uniform. It suddenly felt like so much more than just playing dress up. I was representing my character, who she is and was, and I was representing a whole show, a whole piece of history that has impacted people’s lives far and wide. Suddenly there was a certain sacredness and responsibility to wearing my “greens,” dog tags and all. Not one person (that I know of) recognized me as Cally. I was first addressed as Starbuck, which I quickly corrected. I was later complimented on my cosplay and high-fived by fellow BSG’ers.

I mean, I am the first one to admit my highlights and pixie cut provide quite a contrast to the worn fatigues, but I can’t say I wasn’t a little surprised. I haven’t changed THAT much! But the reactions of people when I told them I was actually Cally were priceless. I wish I could communicate the expression on people’s faces. In those moments, the walls that normally separate people seemed to crumble, and all that was left was an appreciation for a story that helped us all connect more deeply to what it means to be human. I might be biased, but I experience a solidarity amongst Battlestar fans, that perhaps extends to sci-fi in general, and is palpable in their desire to express their fandom. Whether it’s in words, in dress, in art, or collections, the Battlestar family is tried and true. Just ask Edward James Olmos, Richard Hatch, or anyone else from the show.

As human beings (even dressed as cylons or storm troopers), all we have are our experiences, and the meaning we ascribe to what matters to us. Wearing a dirty costume may not seem like much, but it presented me an opportunity to reflect on the importance of holding things sacred in my life. My experiences on Battlestar, and all the ones that have come as a result, are truly precious to me. They represent many things: a time of growth, challenge, success, failure, family, expression and introspection. And while I may not always realize it in the moment, my honoring of those things through material and immaterial representations, can be as important as the experiences themselves. I feel like I'm beginning to have an understanding of the appeal of cosplay, of dressing up like a character and learning to appreciate their world, even if it’s only in spirit. Because in the end, our spirit is what carries us through.

going home this year

Today I flew home from being home. I know, it’s confusing sometimes. Home is where the heart is. Make yourself at home. Home, Sweet, Home. Home is whenever I’m with you. Such a simple, benign, yet loaded word. When I was young, it was common sense that home was the  house where I lived—it was the place where my mom tucked me in at night, where I spent sick days watching tv on the couch, where my friends would come over to play, and where there was an infinite supply of toilet paper and Alpha-Bits cereal. Now, it’s not so simple. On nights when I explain where I’m going after a movie, it may mean the place I sleep and keep my stuff, but when I’m asked if I’m going home for Christmas, or “Where’s home?” it’s not so black or white. Today I walked through the Chicago airport, my flight delayed and running on empty, and felt this strange feeling, the kind that occurs when you mix black and white together, turning it into an unidentifiable shade of grey. I felt sad to be leaving home, but at the same time excited to be going home. My awareness sparked another color to enter the mix, a bright and joyful color. I realized that whether I’m in one city or another, one house or another, with family or not, the only consistent thing is me. If it’s familiarity that matters, then certainly the Chicago airport should feel more like home than some of the places I’ve lived, but I really don’t think “home” is a place in the traditional sense. It’s a state of being. It’s a feeling of comfort, of presence, and a complete acceptance of where you are in that moment in time—literally and figuratively.

In the end, it’s much less work to focus on building your internal home than trying to control everything outside, travel long distances, or buy lots of material things, just to get that feeling. Certainly places can inspire nostalgia or make living more comfortable, but if we practice being present and excited about where we are, then why can’t the whole world feel like home? Instead of setting a resolution that’s based on getting a result this year, I’m going to start building the biggest home in the world—so big it encompasses the entire planet (and maybe beyond!), yet is entirely invisible. A home where every person on Earth is welcome, and no room is off limits. A home where the only keys I need are an open mind and an open heart, and an open-door policy for new experiences. That way I’ll never have to worry about whether I’m leaving home or coming home, but simply being.

act naturally

It was the last shot of the day. We’d been shooting for hours already and were finally turning around to get coverage of my two lines. The words had all but crumbled in my mind, the result of repetition had drained all weight and meaning. It was like running with a backpack to catch a train, arriving, breathless, only to find the contents had escaped, leaving behind an empty, gaping (laughing?) mouth. All the preparation I’d done was inaccessible to me now, I could only trust my instincts, and the momentum of the moving train. I mustered what energy I had, trying not to squint into the newly positioned lights. There were thoughts, when did I eat last? Did I turn my phone off? And action! Cut. I didn’t make any mistakes or mumble my words, but it was far from brilliant. That fist clenching expression that says, “I nailed it!” was a distant echo from some other movie set. The director came over, and after a brief moment of intense contemplation, he said plainly, “We need more Nicki. That’s why you’re here.” I nodded before he had time to finish. Yes, of course, story of my life. “Just be yourself!” “Oh, that’s so you!” “You’d be so perfect for that role.” But what does that even mean? Can someone please spill the beans because it appears to be obvious to everyone but me? Then I chuckled. In actuality, I am the only one who really knows. I’m the only one alone with my thoughts; with my feelings, my fears, my desires, and my memories—true or untrue. All others see are the sparks—the friction between my soul and my smile, dampened only by the shackles of my yearning to be accepted and understood. But within that desire for identity, within the search for self, is the key to better understanding and experiencing this “me” everyone keeps talking about. So while I really had no idea what the director’s vision was, nor the quality of Nicki-ness he was hoping for, I brushed aside the fear and the judgement and did what I do best: absolutely nothing. I just watched myself experience the moment, with no expectation and no fucking idea what was going to happen. Oh, and… I nailed it.

remembering to care

I was really nervous to go see her in the hospital. Even though we’d shared so much, spent whole summers at each others' houses, riding our low-rider bikes around town, co-ordinating our outfits, and playing Super Mario Bros on bean bag chairs that spilled their styrofoam guts everywhere. We had gradually grown apart in high school. I resented her unsubtle attempts at fitting in with the “popular” girls. I wasn’t willing to be, what I perceived as, humiliated the way she was. Even if I did want them to like me, I would never have admitted it. She changed the way she dressed, started listening to different music, drinking a lot, and even obeyed their juvenile orders when they said she had to walk 10 feet behind them. I wasn’t sure who I hated more: them for doing it, or her for letting them. Either way, even though she started to hang around with them more and abandoned her social status as a “skater” (a label I’m still not sure I’ve outgrown), I maintained the feeling that she was my friend more than anyone else’s. Maybe because she was my friend first, or maybe because I felt like they didn’t understand her the way I did, or maybe because I just wanted it to be that way. Yet when I visited her in the hospital, I felt like I was visiting a stranger. Words abandoned the part of me that speaks them.

She sat propped up in her bed. A television mumbled from high up in a corner. I remember it being bright, she could see out into the world, but not truly be in it. I can only assume she spent months in that bed, as that’s how long she was gone from school, nearly a year. I remember the fact that her toilet had a bucket in it to catch whatever went in it because she wasn’t trusted to use it responsibly. They measured and regulated everything that went inside and everything that went out. I never asked her what that was like. I never asked her why she did it, or what she was afraid of. I probably just talked about things that were going on at school and asked her about the other girls on her floor. Talking about other people is always easier than talking about oneself, especially when the truth is uncomfortable. But the thing I regret the most is not telling her how much I missed her.

I began to miss her even before went into the hospital. I missed her when she started acting differently, losing weight and dramatically giving away all her food at school. She wasn’t the girl who had tried to drink milk through her eyeball or left fart bombs on my pillow. She wasn’t the friend who would skateboard with me for hours before going inside to eat white bread cucumber sandwiches. She wasn’t the person who did a wicked imitation of her Scottish dad: “Go shite up a trrree ya wee harry!” She was different. She wasn’t just losing weight, she was losing herself, and I was losing a friend.

I didn’t know it then, but I wasn’t a very good friend to her. I didn’t tell her how I felt, I just pretended I didn’t care. Pretending not to care is so much easier than feeling the pain, the loss, the heartbreak, but it limits your ability to love. Thinking back, I realize it was my own petty fears that got in the way of being there for her. For the same reason she stopped eating, I stopped expressing how I felt. What would people think? Will I be rejected? Will they think I’m weird? Get mad? That age comes with a bag of insecurities, and I let mine weigh me down.

It’s incredible to think about how much time we spend creating fears about these things, rather than sharing ourselves with the people we care about most. Or most importantly, just experiencing ourselves, in all our beautiful quirks and imperfections. I may never know what that year was like for my fifteen-year-old friend in the hospital, nor the years that followed when she went to new school and started a whole new life for herself, but I do know that I want to be the type of person who thinks about it. And cares.

this made me think of you!

Receiving a message from a friend saying, “This article made me think of you!” can be a slightly unnerving experience--at least until you find out what it’s about. Sure, they say it’s the thought that counts, but articles include everything from how to diagnose that pesky rash to in depth analyses of psychopaths. I would hope anyone sending an article with such pretense would be mindful of the implications woven within, but you just never know. Have you ever been having a conversation about liars and blurted suddenly, “Oh by the way, how is so-and-so?” Ooops! Let’s hope they didn’t catch the linear trajectory of that one! Anyway, I digress. Just a little dose of Nicki neuroses (nickoses?) before I share this article my friend sent this morning (that reminded her of me). Quite honestly, it’s nothing new, and I’ve even read articles who articulate it more eloquently, but there’s a certain frankness, like it’s coming from a successful relative who sits you down and says, “Look kid, all you gotta do is this. Stop making it so hard for yourself.” And I appreciate that. Hope you do too!

I particularly like this quote, “As Douglas Pagels wrote, ‘Each new day is a blank page in the diary of your life. The secret of success is in turning that diary into the best story you possibly can.’”

Writing for Your Life

Thanks Adrienne!

high-five yourself!

I was feeling inexplicably joyful as I walked to my seat down my first flight’s narrow aisle, trying to make eye contact with as many people as possible. Call it a habit, a good deed, an impulse, when I’m in a good mood, I like to share it. But before I reached my seat, something caught my attention. There was a person a few rows ahead pulling at her cuffs, fixing her bracelet, shrugging her sweater into place and brushing her hair back just like my friend Esther. Her yellow hair was so similar, and yet I had said goodbye to her the night before with full knowledge that she was leaving on an early flight the next morning and I wouldn’t see her again until the middle of next week. Yet the resemblance was uncanny. I waited. Hoped. And when she looked up and I saw it was her, a rush of excitement charged through my body. An EEG machine probably would have registered Christmas I was so excited! I felt like I had the funniest joke to tell and lacked the patience or self-control to spit it out in any articulate manner. I yelled her name and awaited her shock and excitement. It was there, but nowhere near mine. But then, I actually said, out loud, in front of a plane full of bored and indifferent passengers, “This is the greatest thing that’s ever happened to me!” As the words formed and eventually made their way through my vocal chords and out my mouth, even before I uttered the first sound, I was well aware that this was not, in fact, the best thing that had ever happened to me. Not really even close. But I decided to go with it because, quite honestly, who’s counting? In that moment, in a crowded airplane aisle full of strangers and reluctant travellers anticipating an uneventful and lonely journey, seeing the smiling face of one of my favorite people was the best!

I can’t help but think that in the end, all moments can be this awesome. Why judge and compare, or create hierarchies of awesomeness? All we have and all we know is what is happening right now, so why not let this very moment be the greatest thing that’s ever happened? Seriously, reading this, right now, is the greatest! Don’t worry, I won’t tell. Just enjoy it, no one else cares. So go high-five yourself and have an awesome day!

Editor's note: my friend slept the entire way and we barely talked on the other end, but I'm still smiling about it.

from awkward pose to awesome pose!

Today I decided to squeeze in a yoga class after having lunch with a friend across town. I’d only been to this particular place once before, so I wasn’t really familiar with the facilities, the sign-in process, where you put your shoes ’n shit. I was a little disoriented to find all the rooms empty, but I was still a little early, so decided to get changed and await further instruction. While I was changing, I heard someone else come in who seemed to be greeted by a voice with a hint of authority. I felt reassured, but when I came out, there was no responsible party to be found. The woman who had just arrived, also there for her second class, kindly showed me the ropes as she had just learned them, and I continued to wait around awkwardly reading the bulletins on the walls. Five minutes after the class was supposed to start, there was still only one other woman there, which made three of us. By ten after, I went and knocked on the door at the very end of the hall. Apparently there was some sort of teacher training going on. My knock was received with an abrupt, “WHAT!” Then a laughter-infused, “Come in.” They glare-smiled at me as I opened the door, jokingly upset about the interruption. I’m never quite sure how to take gestures like this because it feels more like a weak attempt to cover up real pissed off-edness with lame sarcasm than any sort of actual joke, but—I digress. A woman came out to help, but only succeeded in confirming the uncertainty of the situation by checking the website (why didn't we think of that? oh wait, we did. thanks) and calling the owner (who had no knowledge of a cancellation).

Fifteen minutes after the class was supposed to start, one woman decided to call it a Sunday, but the other lady and I looked down at our bare feet and figured, when in tights, stretch! So we plopped down our mats and proceeded to breathe deeply and crack our bones. I told her about this cool yoga website I’d been using to practice at home. Quicker than I could say downward facing dog, she had pulled up a video and placed her iPhone between us saying, “Do you mind?” By this point, there was really no decision to be made. I had untied the ropes, placed my foot firmly on the dock and set the boat in motion. Besides, the experience was worth far more than any story of somewhere more productive I could be. Not to mention the pattern completion of actually squeezing in some yoga.

So that’s what we did. In a big empty room with shiny hardwood floors, Indian fabrics lining the walls and statues of goddesses as our audience, we did our yoga practice bowing to a leopard print iPhone (we kicked it over for the standing poses). We also got to know each other a bit and even came up with the genius premise for a comedy where two women get locked in a yoga studio overnight with nothing but yoga props and an iPhone to pass the time. Actually, now that I say that out loud, it sounds a bit different, but I’ll leave that to your own conscience.

I wanted to share because I love little experiences like this. Ones that can so easily be overlooked or passed by, like throwing out an important letter in a pile of bills. I could have decided to go home when the teacher didn’t show without hesitation, but when I came to that fork in the road, for some reason I chose the uncertain path over the familiar one. You never know what’s going to happen, but that’s the beauty of it. You might solve a problem, you may even create a new one; you might make a new friend, or quite possibly an enemy; but in the very least, you will likely end up with a funny story to tell. And that's always worth it.

talking about kevin, talking about life

I watched a film last night that left a deep impression on me. Not only due to the dark and challenging content, but because of something kind of funny that happened while watching it. I went over to a friend’s house, snuggled up with a blanket in front of her high-definition tv, and felt the typical anticipation I feel before I watch a critically acclaimed movie with a-list stars and a difficult premise. I knew We Need to Talk About Kevin was somewhat of an indie flick, but when we started watching it, the “indie-ness” became wildly distracting. As the movie progressed, it continued to feel like someone’s home movie of a community theater production. My enthusiasm turned to disappointment, but more than anything I was confused. I genuinely wanted it to be good and had heard good things, so it didn’t make sense that it would have such poor production quality, especially with technology these days. I even tried, and failed, to reason how the poor quality could be an artistic choice. So despite my initial optimism, the drama, sadly, kept falling flat. In my mind, and also out loud, I criticized the cinematographer, questioned the director, and furrowed my brow in disbelief. I was frustrated that a movie with so much potential, from the concept to the characters to the actors, would cut corners like that. That is, until another friend came over and, upon hearing our commentary and watching us shake our heads, started googling tv settings and resolution. He hypothesized the quality had to do with the different ratio of what the movie was filmed on and  the tv settings... or something! He changed some settings as I looked on skeptically (but hopefully). Lo and behold, the color changed to a cool, almost washed out and stylized blue-ish tone, much more polished looking and fitting for the theme. The movie suddenly transformed from a daytime soap opera to something I might actually see in an art house movie theatre.

Still, something about it felt like a first year film school project (no offence film students!). We watched for a little longer and just when we were about three quarters of the way through, my friend made another breakthrough in his research. He had another hypothesis and, despite his uncertainty, I encouraged him to experiment... just to see. (Truth be told, I desperately wanted it to be better. While the others had given up and filed it under weird, I still had hope.) Again, he searched through the controls and finally found one that adjusted the picture speed and turned some fancy function off. Sorry I can’t report any of the technical details. All I can tell you is that with a flick of the menu’s back button, it became a whole different film.

Suddenly, I was emotionally engaged. The music gave me goosebumps. Tilda Swinton’s gaze became captivating. I could see deep into the characters’ souls. And the film developed a dramatic weight that felt like I’d just been thrown a bowling ball. Firstly, I was excited. As I said, I really wanted it to be good and I couldn’t explain why it wasn’t.

But what is even more profound to me is how seemingly simple and “inconsequential” effects can drastically change a film’s quality and potency. To be specific, the speed and the filter changed my whole experience. I finished the film feeling satisfied and moved by the performances. That’s when my mind began to expand on this epiphany. If you look at your life as a film, your surroundings a set in which the drama of your existence is played out, the filters through which we see the world and the pace at which we move through it are incredibly important. They can dramatically change our experience of our selves and our lives - positively and negatively.

Have you ever been in a state where you felt completely on track? As if everything around you was happening on cue and you were standing exactly on your mark? Sometimes I feel this way waiting for a subway train or brushing my teeth; other times, it’s at an amazing concert or lying in shavasana at yoga. The reality is, the time and place is irrelevant. It’s my own internal settings that allow me to experience any moment exactly as it is: perfect. It was a good reminder that next time I’m feeling dissatisfied or critical, rather than blaming or trying to figure out why, all I have to do is mess around with my internal settings. After all, finding the right hue, the right speed and just the right emotional soundtrack can completely change the way you “talk about Kevin.”

"When we are no longer able to change a situation - we are challenged to change ourselves." - Viktor E. Frankl

love in the time of villa carlotta

Most of the time nostalgia waltzes in of its own accord, like a sizzling waft of the neighbor’s barbecue, but sometimes I get this curious itch to seek out a particular time from my past. I’m not sure “time” is the right word. It’s usually an object, a song, a place or a person, but it brings me back to a particular time and, more importantly, a particular feeling. By no means am I one to dwell in the past, but I think revisiting these feelings is important. It’s easy to surround ourselves with certain situations and get lost in familiar patterns, sometimes losing sight of what got us there along the way. The memories might be painful, joyous, sad or exciting, but they are part of us nonetheless. Accessing those experiences is, I believe, a way to keep ourselves connected to all the different facets of ourselves and deepen our wisdom. This morning I saw a link on twitter to a celebrity’s favorite old building in Hollywood. Immediately I got a little excited hoping it was the same as my favorite building, the one I resided in for the better half of 2006: the Villa Carlotta. Alas, Moby’s favorite building is the 7th Day Adventist Church, but at this point my synapses had started firing and they weren’t about to stop. A flood of memories came rushing into my brain. The incredibly serendipitous way I got the apartment in the first place (people have been on the waiting list for years to get a spot) and the fact that I leased it from one of the celebrity carpenters on Trading Spaces, so it had all the latest appliances and was pretty nicely furnished. I began to wonder if there are still tiny bb pellets in the cracks of the aging floorboards. I had a birthday party where I was generously gifted my very own bb machine gun. The night started off innocently enough, with tentative and willing victims standing far from their shooter, and getting carefully pelted with equal parts pain and excitement. As the night wore on, however, let’s just say “don’t try this at home kids!”

When I moved in, the previous tenant (a cool young German writer who I became friends with and was working for Michael Bay, I wonder what he’s up to…) warned me about the neighbor below being a grumpy old curmudgeon who complained about stomping and too much noise. So before I had aforementioned birthday party, I slid a little card under his door warning him of the event and letting him know to call me if anything bothered him; basically an advanced apology. Even before the night came, he wrote me a note thanking me for my gesture and encouraging me to enjoy my party. From that experience, I learned that most of the time, grumpy old curmudgeons just want to feel considered and treated like human beings; and for the most part, there’s no such thing as grumpy old curmudgeons, just lonely people who want to feel cared for and considered.

I had heard rumours about the building being haunted, and certainly if there ever was a setting for a classic ghost story flick, this was the perfect place. There were odd noises, flickering lights and the decor likely hasn’t changed since it was built; added to maybe, but never redone. I’ve always felt a little nervous in new places I’ve lived for the first couple nights. I think there’s a natural reaction to unfamiliarity that breeds thoughts like, someone's breaking in my door!?! You need to acclimatize your brain to the noises and ambience so it doesn't trigger your fight or flight. Having said that, during my first few nights at the Villa Carlotta I had some pretty, I don’t know what to call them, “spiritual” experiences? I don’t know if I believe in ghosts or simply the power of the human brain to generate whole body sensory experiences, but I woke up (or at least entered that weird in between waking and sleep state) completely paralyzed. I couldn’t move. I felt petrified, and I became aware of another presence in the room, or what my mind perceived as such. The thoughts I had were in the vein of, “I need to show them I’m not afraid. I need to face this on my own. I need to make peace and they’ll leave me alone.” I immediately vowed not to have any overnight visitors (that lasted a little while) and face these demons on my own. Whether they were my own demons or those haunting the Villa Carlotta, I’ll never know, but it was a really intense experience, and made me ever the more fond of the place.

Another thing that made the building unique was the manager, Tom. He was incredibly friendly, jovial, mostly drunk, and would stop at nothing to give you a hard time (all in the name of humor, of course). I bond well with characters like this, so we hit it off immediately. I also paid my rent on time, so we were in good shape. I had numerous interactions with him during my stay there, but my favorite one was when he called me out of the blue months after I’d moved back to Vancouver. When I saw his number come up, I couldn’t even guess what he’d wanted. For some reason I decided not to pick up, but later I got this rambling message about how I hadn’t paid my rent on time and that he was upset with me and he wasn’t sure what to do, etc. I immediately called the guy I had leased it from, fearing that somehow they didn’t know I moved out and that some big misunderstanding had taken place, but he immediately burst into laughter and said, “He’s just drunk and fucking with you.” I was totally shocked. Not that it’s not completely in line with my sense of humor, but it was so random and out of the blue. I loved Tom a little more after that.

Living at the Villa Carlotta also amounted to many nights spent eating pasta and talking about poetry at La Poubelle, drinking coffee and "working” on my laptop at the Bourgeois Pig, spending whatever savings I didn’t have on used books from Counterpoint, waking up at 7 a.m. to move my car on street cleaning days (or getting tickets, I alternated), getting a constant view of the bustling and mysterious Scientology Celebrity Center, and being part of a small and eclectic scene of young actors, artists, musicians and writers. I used to be at parties with Katy Perry, who was working hard on some demo, I heard she had a good voice. Same goes for others, both previously unknown, still unknown, once known or flat-out famous. It didn’t really matter though, we were all just trying to make sense of our lives. Find meaning in books about philosophy, art and history and try to find a sense of place in a city that seemed to feed off superficiality and satiation. As you can tell, my nostalgia for the time is rich with fond and happy memories and laced with some of my richest moments of existential angst. I treasure all of them, and find it pretty frickin’ cool that I got to be part of a history that lives on not only in my mind, but in all the people and stories that weaved themselves in and out of that building.

be nice to your _______ (self)

I just re-read the very first interview I did ever. I’m collecting press for my visa application and it’s proved a special kind of challenge—reading about yourself and the things you’ve written. A pressure mounts gradually, fuelled by petty fears and insecurities. A type of pressure typically only relieved by hearty belly laughs between friends, or a cathartic cry over the helpless nature of it all. In this case, I did both. And then I read the interview. Whatever judgments lingered were quickly dissolved when I read the part where I said my age: 21. That’s seven years ago. A quarter of my life ago. I was a baby. My words were laced with innocence and I read on with the curiosity of a mother reading her child’s poetry. No need for perfection, only subtle cues indicating where I was at, how I was feeling and what makes me me. It ended up being a really cool experience. I felt like I could accept a part of myself I’ve always avoided looking at. The innocent part. The part that really wants to do well, sound smart, have people like me, whatever. But that’s not who I am. Who I am is in my decision to even share myself in that way, my desire to make meaningful connections and continue questioning what I’m doing and why. I thought it was a sweet interview in the end. And it inspired me to think about why it takes seven years to be able to feel compassion for my journey, to not need to meet some ridiculous standard. Why not look at what I did a year ago, a month ago, a minute ago, with the same acceptance and understanding? It’s said that time helps put things in perspective, but how much time? By the time we even become aware of our experience, it’s already in the past, so we always have a choice of how you want to feel about it—with light-hearted curiosity or the fear-driven control of an over-protective mother. Whether it’s an important presentation or a macaroni necklace, we’re all doing our best to find ourselves and create meaningful expressions. So be nice. I’m certainly going to try.

If you’re curious, you can read my interview here.

"It is only with the heart that one can see rightly; what is essential is invisible to the eye." - Antoine Saint-Exupery

resolutions are my friend and i love them

New Year’s resolutions. I don’t know, I find the term overused to the point of mutilation these days. Often more referenced as a mockery than any serious act of commitment, my upper lip unwittingly snarls at the mere mention of it. And it’s not that I haven’t tried! Last year I sat myself down and expressed my desires for the approaching year—how I wanted to live better, do better and ultimately be better. I was actually a little nervous to go back and read it. Both because I’m always nervous to go back and read my writing for fear that I sound like an arrogant a-hole, but mostly because I was concerned I had been a total failure. Despite my hesitation, I dug it up and was actually pleasantly surprised. I don’t think I sound too arrogant, and I’ve made progress in all the areas I wrote about. Sure, there have been failures, but I’ve been far more consistent in my commitments, focused on building better relationships and have even developed a practice of doing things I’m not amazing at, and enjoying it even! Last year I performed a song onstage, something I never thought I could do. And I even read a whole chapter book! (Kidding, sorta.) So I actually feel pretty good about the little wins, as well as some other breakthroughs I’ve had throughout out the year. Still, the whole notion of making “resolutions” at New Year’s launches me into depressed teenager mode, shrugging at the dinner table when asked about my day. “I dunno.” I went to one of my favorite yoga studios for a special two-hour class today. I figured it would be a good way to start the year—to connect, reflect, feel strong and push myself. I love this particular teacher too, she has a way of dropping pearls of ancient wisdom mixed with her own experiences in the most humble and accessible way. However, as you can imagine with any yoga class that adds spiritual and philosophical teachings to the physical practice, it was only a matter of time before “New Year’s resolutions” came into play. In my head I was like, “nooo, you can’t make me.” But I’m also the type of person who, when I engage in something, I want to do it full on. My mantra is typically to save the judging for later and just go with it; which, upon reflection, has lent itself to some pretty interesting stories, but that’s another day. So I reluctantly picked an “intention” for the new year, came up with some random words that seemed sufficient for the occasion. I was even feeling a little self-righteous about my active participation until she suddenly announced what we were going to do next: “partner work.” *Gasp* And I was doing so well. To me, this is akin to attending a poetry reading and being told you have to get onstage. Like, I didn’t sign up for this.

I’m not even sure what’s at the root of my resistance to it, but I’m sure it’s mostly to do with social anxieties and the awkwardness of touching someone’s sweaty yoga body as they put themselves in vulnerable positions, in your face. Usually, I’m scanning the room in my head for my most preferable candidate, all the while judging myself for being so superficial. But this time we were automatically partnered with the person across from us. For me, this meant a shaggy haired middle-aged man with a sort of stoner vibe and an oddly endearing boyish awkwardness. I tried to make eye contact with him to show him I was totally cool with it, but he never looked at me, at least not when I was looking. So it came time for us to touch and stretch each other and I stubbornly forced myself to embrace the experience. And that’s when it hit me: none of the shit that’s going on in my head is actually happening! I let go of my insecurities, squeezed his sweaty palm, breathed deeply and embraced him affectionately as if we were old friends. It felt great! Not only did I “get through” the thing I don’t like, I actually learned to enjoy it, maybe even love it  little. I love doing partner work! Haha. This is a revelation, because at the end of the day, it’s just better to love shit.

So I’ve discovered my New Year’s resolution. As with most things in my life, not without great resistance, but I come by it honestly. My resolution this year is to embrace the things I fear and learn to love them. It’s not enough just to grit your teeth and get it over with. You need to open yourself and find a way to love what frightens you, make peace with it, invite it into your home, serve it tea, give it a massage, you get the idea. Only then can it seize to have any power. I think sometimes we aren’t even aware of what scares us because we’ve developed such incredible strategies to avoid the discomfort. Whether it’s certain types of people, environments, activities, abilities, we have lists of excuses to keep us safe in our comfort zone and give our fears the nourishment to smother our experience of love, and of life. Kinda makes me want to take my inner teenager out for pizza, aaaw.

I recently watched the film Another Earth. It’s a spectacular film and I highly recommend it, but there’s one particular scene that really stood out for me. The main character tells a story about a Russian cosmonaut who... well, you should watch it. It demonstrates what I’m trying to express quite beautifully. (Also, the dude kinda looks like the guy from yoga. Weird!) Find what you resist, and learn to love it. Become friends with your fears and you will gain ultimate freedom. Happy New Year friends!

Shooting #Catfish in a Barrel

***I wrote this a while ago and just re-discovered it. It brings up questions I'm always curious about, so I thought I'd share and hear what you think*** One of the first blog posts I ever wrote was around the time when there were all sorts of scandalous reports challenging the accuracy of James Frey’s memoirs, A Million Little Pieces and his follow up, My Friend Leonard.  Jt Leroy, the troubled, young, writing wunderkind, had also just been outed as a creative scheme with a middle-aged San Francisco woman at the helm. In all honesty, despite my intellectual musings about how all our stories are ultimately fiction, I felt sad and disappointed, and a bit of a fool. I had devoured James Frey’s A Milion Little Pieces. I cried when his words sang into the hollows of my own despair; I sighed when his imagery echoed the experiences of my own father’s struggle with substance abuse; I laughed when his self-conscious inner monologues sounded all too familiar. Needless to say, I was moved. Just as I was moved reading JT Leroy’s far more raw and provocative works. Evidently, I’d read all his books before he became a counter-culture icon; Asia Argento directing and starring in the film version of one of his books. I was a fan. I had friends who were “friends” with him. I’d even met him at a film festival party in Toronto. I was too shy to introduce myself or share how much I’d enjoyed his work. As was typical, he was wearing massive sunglasses, a hat and I think even a wig. He had a whole persona. He was brilliant, shy, tortured and innocent all at once. That’s what made him so appealing.

So what does it mean when our illusions are shattered? When what we think is real—people, stories, events—turns out to be fiction? Does it matter? Yes, it matters. Of course it matters. If we don’t have truth, then what are we left with? Well, I think that’s the most important question of all, because in the end, there is no truth. The past doesn’t exist in the way we think it does, or want to believe it does. There’s no magical history book that documents life’s events, ensuring an accurate record we can reference at will. No, the past only exists in our experience, in the present. And since time is always moving forward (presumably), and the present is always changing, so are we—along with our thoughts and memories. So when I ask again, does it matter if our stories are fact or fiction? Does it make our tears any less real if we discover a tale to be tall? My answer is no. It shouldn’t. Or at least I don’t think it should, but that doesn’t mean I don’t feel compelled to protest against false advertising (which is really the underlying moral issue). No, I have those feelings because I’m a human being and I want to feel like I know what’s real and what’s not. It even makes me more survivable to know the difference between a real tiger and an Imax 3D one. The only real danger is when I’m so afraid of the feeling of unpredictability that I think the tiger isn’t real when it is.

I feel like I’m sort of shooting fish in a barrel here, since I was fortunate enough to play a character on tv who was faced with this exact struggle. Très apropos. Everything she knew to be true was dismantled right before her eyes. I mean, we’ve all had experiences when the truth stung, when the cold, dismal reality of someone not being who we thought left us shattered and untrusting, but you have to admit Cally met a particularly unfortunate fate. Not only was her husband not who he said *spoiler alert* (she was torn up at the idea of him having a measly affair), but he turned out to be the epitome of everything she feared and had fought against her entire life. He wasn’t just not human, he was the enemy. And he wasn’t just her husband, he was the father of her child and the only person she ever truly trusted. So yeah, pretty harsh. Needless to say, she didn’t handle it very well, and who can blame her? But it’s unsettling to recognize how much our identity is wrapped up in what we think we know. Not to get too spiritual or anything, but I have a hard time believing we’re solely made up of atoms and energy that ferments into some sort of “consciousness.” I believe we are more than just our bodies, more than our minds even. And if we knew this, maybe we wouldn’t disintegrate if we discovered something we thought was true to be false. We would simply be “ourselves” with a new perspective. Is that really so bad? It certainly feels like it at times, but perhaps that’s the beauty of being human—discovering the truth beyond “knowledge.”

So I just finished watching the movie Catfish. *spoiler alert - watch it!* Let me just start by saying I thought it was brilliant. Intentional or not, the fact it pissed people off and caused speculation as to its “authenticity” is win/win. I was so uncomfortable through the whole thing. I was uncomfortable with what was happening in the film, enthralled with its characters and their unlikely story, and I was uncomfortable with what was happening in my living room, frustrated with my own inability categorize what I was seeing and make sense of my own emotions. I fell into this recursive loop of existential uncertainty, only to be sucked in by scenes where I thought to myself, “You couldn’t make this shit up!” Only to be violently pulled in the other direction, thinking, "There's no way this is real!" I’m not going to give an opinion as to whether I think the film is real or fake because, quite honestly, I don’t care, and it doesn't matter. That’s the best part! It was so well done and the questions it raised are questions we should all be asking regardless; whether it’s by projecting on people having experiences in a documentary, or whether it’s through our own experience watching a “documentary” and speculating its legitimacy. Like a chinese finger trap, hating on it only distracts you from the truth, wrapping you tighter in your own limiting and warped delusions. And yet, I am only human after all, and I would just sleep a little sounder if I knew, like, was that shit for real or what?!?!

Further reading...

review of Catfish on The Documentary Blog

musings on "authenticity" by Andrew Potter

"Jt Leroy"

James Frey on Oprah

#NYCC and me

The week post-NYCC has flown by, yet it also feels like an eternity ago. The contrast of daily life against the sci-fi and fantasy Disneyland that is New York Comic-Con, is not a transition one traverses lightly; or at least I don’t. Like emerging from the wardrobe after discovering Narnia, I’m still dusting snowflakes from my hair or, rather, quippy buttons, flyers and business cards. I met so many amazing people and went on some pretty cool adventures (some I’ll talk about here, some you might have to read about in my unauthorized biography #pretendingtobefarmoredangerousthaniam). But all in all, it was an awesomely fun, productive and exciting weekend.

Even though the media guests were sanctioned to a far away wing, I was stoked to see all the friendly and loyal fans who came by to grab an autograph, snag a t-shirt, or just to say hello. The laid-back pace was actually a welcome break. Hanging out all weekend allowed me the freedom to come and go and carry on real conversations, rather than frantically packing in a rush of autographs in just a few hours. Admittedly, I only ventured out into the madness twice. On Saturday, I naively walked around artists alley thinking it was the main attraction. A friend of mine with a comic book booth educated me on the different smells emanating from the different areas—that way if I got lost, I could navigate using my ninja olfactory skills. According to him, the publisher’s area was the most offensive, but I didn’t test his hypothesis. I chatted a bit with the cool and talented Cat Staggs, who was kind enough to give me one of her books. Apparently she’s going to be making some BSG art in the near future, so you should definitely keep an eye out. You can find more of her artwork on her site. I also tripped over Scott Adsit (Pete from 30 Rock) pimping out his precious sketchbook for artists to draw/paint/doodle/make magic in. I learned about his idea last year, but this year I actually got to see some of the fruits of his many travels and contributions from incredible artists. I’m not sure how many sketches he has in total now, but it’s an impressive amount and he’s somewhat modest about it; either that or he’s a little self-conscious about the inherent geekery in such an undertaking. I personally think it’s awesome! I also love anything that challenges the fan/celebrity separation. At the end of the day, we're all fans of something, right? And if you're not, sucks to be you! Anyway, I digress, Scott was also kind enough to be excited about my “OH MY GODS! THEY KILLED CALLY” t-shirts and even sported his very own on Sunday. If you catch him in any pics or videos that day, you’re sure to see him representin’. Thanks again Scott! If you're in the city, catch him doing Celebrity Autobiography. It sounds super hilare!

On Sunday I had the good fortune of having a dear old friend from Vancouver serve as my sidekick. So during the slow times we got to catch up and reflect on the good ol’ days kicking around Vancity. It was really nice, and always humbling to have old friends to help you remember how far you’ve come. It was also really neat to hear her perspective on the convention. She moved to NYC seven years ago and has since become a hugely successful and sought-after stylist. She loves her job, but will be the first to admit the fabric holding together the commercial and fashion industry is one of carefully constructed facades and shiny veneers. Her and I have always bonded over our mutual love and appreciation for the nerdier side of life, so it was perfectly apropos for us to unite in such a setting. Her comments on the event were both refreshing and endearing as she compared the people at the convention to the people she normally works with. Sure, they both dress up in outrageous outfits, some of them even with outlandish make-up and accessories. They both obsess over material commodities and identify themselves with their specific interests; most of them form social groups as a result of these interests. But still, there seems to be something tangibly different about these “genres,” if you will. I might be so bold as to say that sci-fi fans seem genuinely happier than my experience of fashion-industry types. But aside from that, I feel the major difference is expressed in their intent. Rather than trying to create an image in order to fit in and be liked by others, comic and sci-fi fans are expressing themselves in a way that is not typically accepted by mainstream culture, and cons are the one place they can actually share that passion with others. I don’t get the sense that con-goers are trying to be cool; in fact, it’s cool not to be cool at a con (the irony is not lost, but you get my point). To put it simply, I it seems like people at conventions come together through a shared LOVE of something, rather than a shared FEAR of something. And that's just cool.

Well that’s enough waxing philosophic for now... More to come on Baba Brinkman’s Rap Guide to Evolution, the Occupy Wall Street protests, and some more cool (mis)adventures I embarked on last weekend.

Oh, and did I mention, I KILLED it in this Black Eyed Peas dance game? KILLED. IT. :)

mad(der) world

Since my last post, I’ve had some time to think, reflect and gather more data about what went down Wednesday evening. Obviously my knowledge is still extremely limited, as is the nature of communication and media, but some new insight (from thoughtful friends and various blogs and publications) have helped me build a fuller picture of the situation. Unfortunately, it’s only added fuel to my fire (if you’ll pardon the metaphor), sparking further questions into the nature of humanity and how it is we can ever live in a civilized world. Apparently the atrocities were not the sole effect of too much alcohol, testosterone and broken dreams. People, some might say “anarchists” (though premeditated violence and looting doesn’t quite match my understanding of anarchism) had designs on the city before the game had even begun. Some of the rioters were known to have wreaked havoc during other events, like the Olympics and the G-20 Summit in Toronto. However, in this scenario, the authorities had no warning, no apparent reason to hire extra security and protection. In hindsight, perhaps a little naive, but I think it’s safe to say the whole city was a little high off the possibility of the Stanley Cup win and the pre-fab community that emerged as a result. That fact that “professional rioters,” if you will, instigated the violence is understandably easier to swallow than thinking Vancouver hockey fans are just incredibly poor losers. However, it is a slippery slope to point the finger at a small group and blame the rest on “mob mentality.” As most people would agree, there are such humans who live to destroy. For whatever reason, their psychodynamic has led them to derive pleasure out of performing destructive acts and they proactively seek out such experiences. These are the people we see in horror movies, behind bars, or read about in psychology textbooks. These people are a threat to society and the safety of other individuals, there is no doubt about that. However, we also have this other contingent: people who are, by most accounts, well-meaning, law-abiding, good-natured citizens. These people don’t stand out as being violent or aggressive, perhaps even less so than someone who expresses their anger openly. But under certain circumstances, these people are willing to completely defy all their usual rules and give total control over to their emotions. I’m sure I’m going to get shit for this, but I believe these people are more dangerous than the so-called anarchists. I say this because they are invisible. They are not stating any adverse principles or ideals, they are not rejecting the status quo, they are accepting it, playing along, until someone gives them permission, and then they’re completely unpredictable.

I think it’s good for all of us to consider our boundaries, our ethics, and what we think is right. There is so much we do without even thinking, just because our parents said, or society says, or because it’s always been that way. But when those structures aren’t there, it’s easy to get disoriented; unfamiliar territory and intense emotional charge can create a lot of distress. I tend to think events like this are the result of a culturally accepted lack of thinking, lack of evaluation, lack of ethics and, again, lack of love. Not to get all hippie dippie, but if you think about a time you felt intense love, maybe with a loved one or after a beautiful film, do you think you could then go out and throw a newspaper dispenser through a store window? I couldn’t. Only with feelings of intense despair, fear and desperation could I imagine doing such an act. It’s like they say about pit bulls, they’re not inherently mean dogs, but their owners train them to be vicious. Well we need to train ourselves to not be vicious, we need to train ourselves to love. We need to embrace our fears; not run away from our negative emotions, but rather understand them. Otherwise we’ll end up with a society plagued with of well-meaning, but under the right circumstances willing to destroy everything they’ve built, individuals. It sort of reminds me of a child who destroys his own lego castle because he doesn’t get his way. Perhaps that’s the most apropos metaphor of all because at the end of the day, I think we all have a lot of growing up to do.

On a separate note, if you can identify anyone in this video, please let me know.

mad world

I just got off the phone with a friend of mine in Vancouver. No, that’s a lie. After I hung up the phone, before I sat down at my computer, I wept. The events that took place after last night’s hockey game have left many in shock and despair, myself included. I feel shaken and disturbed by the gravity of the violence, but most of all, I feel humbled. We like to consider ourselves civilized. We walk around and talk as if we’ve evolved past our most primitive instincts, and yet it is clear we have not. You can put shoes and lipstick on a lion, but it does not make her any less vicious. It is in a lion’s nature to be violent and fight for survival. Humans also have the capacity to be violent and at some point it did help us survive as a species. However, we have also developed this incredible gift called intellect. This gift allows us to save food for the winter, to work together and share resources and, arguably, it allows us to love. We have this incredible ability to project into another person’s experience, to imagine their struggle as our own, to empathize and want to help them—these are uniquely human qualities. In my opinion, they are what make us human. When we suppress this nature, when we indulge in fear and anger, I'm not sure I know what we are. We certainly aren’t embracing our humanity, but I'm not sure I'd say we’re animals either. An animals’ intent is pure, they are simply doing what they need to do to survive. We, on the other hand, have the luxury of living with the fruits of intellect: technology, science and entertainment. We no longer need to live in fear of being eaten by a lion in the middle of the night. We no longer need to kill a boar with our bare hands. In fact, most modern citizens couldn't bring themselves to do such an act. So if we have this beautiful capacity for compassion, what does it mean when we don’t use it? Or beyond that, when we destroy it? It would be arrogant for me to blame the rioters. I can’t say I don’t feel angry, but mostly I feel a deep sadness. To imagine seeing the world in my own image and wanting to destroy it so desperately and passionately must be a painful existence. To live a life with that much repressed anger and aggression is almost beyond my comprehension, but still I try to understand. It’s not a simple problem; certainly not one with any easy solutions. But in order to understand it, we must not isolate the so-called perpetrators. There are the people enacting the violence outwardly and then there is a society that supports repression and socially acceptable violence. Our media is infested with violence, and I don’t mean reports on murders. I mean gossip, dishonorable discourse and objectification. On some level, I am embarrassed at how shocked I am. Why should I be? The signs of our deluded sense of civilization are everywhere. We are constantly being told we’re not good enough, smart enough, good-looking enough, rich enough, whatever enough—we are essentially fed fear. Then we are taught to be tough, to control our emotions, to be polite, follow the rules, but at what cost? Sure, we have a false sense of predictability, but as we now see that only holds so much weight. If we’re taught never to question and understand ourselves, how can we know what to do when we feel deep feelings of loss, isolation and despair? It may seem trivial (and on some level it is) to get worked up over a hockey game, but to many it’s so much more than that—it’s a sense of community, of belonging, identity and power. When you mix the fear of losing those things with effects of alcohol, you get a recipe for primitive angst. Not to mention, a sprinkle of unexpressed and misunderstood male hormones.

I have stopped weeping now. The act of writing has helped to some extent, though the more I contemplate it, the more I realize how complex an issue it really is. It is easy to find reasons or explanations and it feels good to believe it could be that simple, but it’s not. To truly understand why violence and destruction exists, we need to close our textbooks, abandon our theories, and look inside. It exists in all of us, in different ways, in different forms, and to deny it is to stifle our only chance at evolving through it. Judging those with less emotional maturity, less emotional resources, and less intellectual vision is not the answer. Uncovering those parts of ourselves and learning to love is.

As for my friend in Vancouver, her car got trashed and torched. Her computer, wallet and the clothes inside were burned to a crisp. She and others have been collecting photos of the culprits doing the act, including one of a girl flashing the peace sign in front of the burning vehicle. I feel sad for my friend and her loss, but I know she’ll be okay. I know she will learn from it and work to build her emotional fortitude because of it. I’m not so sure what will happen to the people in the photos though. I can only hope they will also learn from this experience, that the weight of their acts will awaken their conscience. I also hope the weight of these acts will awaken consciousness in all of us. We are not as civilized as we think, and we need to grow up, otherwise we’ll end up destroying ourselves.

rest in peace

Throughout my life, I've had a lot of experience with good old-fashioned road trips. My mom grew up in a quaint little ski town about ten hours outside of Vancouver. Every holiday we’d pack our sedan with blankets, pillows, snacks and game boys, and cruise from morning ‘til night. These days, the distances I travel are much shorter, but they usually involve at least a few hours of driving on the highway. During these excursions, I’ve become increasingly familiar with the rest stops along the way—the particular restaurants or gift shops they host, the cleanliness or convenience of the bathrooms, even some of the people who work at them. I used to consider these mandatory interruptions a major inconvenience, but I’ve since come to appreciate the humanity inherent in these iconic landmarks of the modern age. First of all, they don’t discriminate. Whether you’re traveling by limousine, pick-up truck, or semi trailer, chances are you’re going to have to use the facilities at some point in your travels. (If not, I’m afraid to ask the alternative.) Our most basic needs are exposed in a way we usually try to deny or just plain ignore. In order to survive, we all need food, water, and a way to dispose of these substances once they’ve been processed. It uncovers certain unifying qualities of the human experience, qualities we tend to want to overlook, especially in a culture driven by convenience and consumption. But after you’ve been driving in a car for hours, a cemetery of coffee cups and water bottles littering the floor, a rest stop is a saving grace like no other. I might even be so bold as to call this a universal human experience: Next rest stop—two miles. YES!

A rest stop is a place where every single patron shares a common bond—every single person has a destination and where they are in that moment is not it. There’s a transient quality that is neither masked nor mourned. Everyone is en route, stopping only momentarily to rest, refuel or relieve oneself. There is no pretense, no posturing, the mission is simple and we’re all in it together. At least that’s how I feel when I give a knowing nod to the woman in the bathroom mirror before continuing on my merry way. It’s like being part of a community with no solid identity, only the communal value of getting somewhere else, comfortably.

I wouldn’t be surprised if one day we have drive-through rest stops, some way we could complete our bodily chores without even exiting our vehicles. Yes, the image it evokes is slightly grotesque, but surely stranger things have been invented, and accepted. But if it were that way, I think I would miss the connection that happens when you share a sink with a fellow traveler, resigned to the reality of your travel rituals and relishing in the opportunity to stretch your legs and get a fresh cup of coffee. It can be a welcome relief from the isolating act of driving, a reminder that a world exists beyond your driver’s seat view.

I suppose the objectification of the rest stop experience is an easy metaphor. We’re continuously finding ways to make things more streamlined, more efficient and less effort. But is this necessarily good? I drove back from Comic-Con a couple years ago with Edward James Olmos and Michael Hogan. Naturally, we had to stop at a gas station to fuel up and, you know, do the opposite of that. There was one dingy bathroom around the back of the store. I waited in the small line, a couple people in front of me and a few behind—children twisted around the railing as their parents straightened in a bored summer haze—but when Eddie came out of the bathroom, I could feel their eyes get bigger. One person recognized him, nudging the other, and so on...

By the time we pulled out of the gas station, I could see a few heads peering around the wall, pointing in curiosity and awe. Now, this would probably appear benign to most people, probably even to Eddie himself, but I can’t help but feel it’s important. It’s important to embrace our human qualities, share our common struggles and not try to avoid these experiences that make us uniquely human—and part of the greatest emergent property of all: humanity. So whenever you’re at a rest stop, whether literally or metaphorically, try to embrace that experience, maybe even enjoy it; after all, the world would be a pretty shitty place without it. ;)

lessons from Atlas Shrugged

I've noticed a bunch of my friends sharing this video today. Atlas Shrugged is one of my favorite books. Check out this cool video made by a fellow fan...

the war of art

Speaking of productivity and tackling those projects that turn from light bulbs to dark clouds over your head over time, I'm reminded of an amazing book I read a couple years ago. In fact, I'm going to take it off my bookshelf and re-read it 'cause it's just that good. A friend recommended it to me and then actually bought it for me when he was visiting NYC. He's a screenwriter and he swears it changed his life. When I lived in LA, I used to have lunch or coffee with him and was always impressed when he said he had to go "work." I was like, what work? To him, this meant spending hours on end in a coffee shop on Beverly and typing away on his laptop. This was, of course, long before he was nominated for several Emmys and a Golden Globe, when he was merely a bit-part actor struggling to get by. It just goes to show how persistence and hard work can go a long way. I'm telling you, this book well help light that fire under your bottom and blow any excuse you come up with to stop out of the water. As if that's not testimony enough, it's divided into short, digestable chapters that are entertaining and highly relatable. Okay, I'm going to stop writing and pick up the book now.