#NYCC and me

The week post-NYCC has flown by, yet it also feels like an eternity ago. The contrast of daily life against the sci-fi and fantasy Disneyland that is New York Comic-Con, is not a transition one traverses lightly; or at least I don’t. Like emerging from the wardrobe after discovering Narnia, I’m still dusting snowflakes from my hair or, rather, quippy buttons, flyers and business cards. I met so many amazing people and went on some pretty cool adventures (some I’ll talk about here, some you might have to read about in my unauthorized biography #pretendingtobefarmoredangerousthaniam). But all in all, it was an awesomely fun, productive and exciting weekend.

Even though the media guests were sanctioned to a far away wing, I was stoked to see all the friendly and loyal fans who came by to grab an autograph, snag a t-shirt, or just to say hello. The laid-back pace was actually a welcome break. Hanging out all weekend allowed me the freedom to come and go and carry on real conversations, rather than frantically packing in a rush of autographs in just a few hours. Admittedly, I only ventured out into the madness twice. On Saturday, I naively walked around artists alley thinking it was the main attraction. A friend of mine with a comic book booth educated me on the different smells emanating from the different areas—that way if I got lost, I could navigate using my ninja olfactory skills. According to him, the publisher’s area was the most offensive, but I didn’t test his hypothesis. I chatted a bit with the cool and talented Cat Staggs, who was kind enough to give me one of her books. Apparently she’s going to be making some BSG art in the near future, so you should definitely keep an eye out. You can find more of her artwork on her site. I also tripped over Scott Adsit (Pete from 30 Rock) pimping out his precious sketchbook for artists to draw/paint/doodle/make magic in. I learned about his idea last year, but this year I actually got to see some of the fruits of his many travels and contributions from incredible artists. I’m not sure how many sketches he has in total now, but it’s an impressive amount and he’s somewhat modest about it; either that or he’s a little self-conscious about the inherent geekery in such an undertaking. I personally think it’s awesome! I also love anything that challenges the fan/celebrity separation. At the end of the day, we're all fans of something, right? And if you're not, sucks to be you! Anyway, I digress, Scott was also kind enough to be excited about my “OH MY GODS! THEY KILLED CALLY” t-shirts and even sported his very own on Sunday. If you catch him in any pics or videos that day, you’re sure to see him representin’. Thanks again Scott! If you're in the city, catch him doing Celebrity Autobiography. It sounds super hilare!

On Sunday I had the good fortune of having a dear old friend from Vancouver serve as my sidekick. So during the slow times we got to catch up and reflect on the good ol’ days kicking around Vancity. It was really nice, and always humbling to have old friends to help you remember how far you’ve come. It was also really neat to hear her perspective on the convention. She moved to NYC seven years ago and has since become a hugely successful and sought-after stylist. She loves her job, but will be the first to admit the fabric holding together the commercial and fashion industry is one of carefully constructed facades and shiny veneers. Her and I have always bonded over our mutual love and appreciation for the nerdier side of life, so it was perfectly apropos for us to unite in such a setting. Her comments on the event were both refreshing and endearing as she compared the people at the convention to the people she normally works with. Sure, they both dress up in outrageous outfits, some of them even with outlandish make-up and accessories. They both obsess over material commodities and identify themselves with their specific interests; most of them form social groups as a result of these interests. But still, there seems to be something tangibly different about these “genres,” if you will. I might be so bold as to say that sci-fi fans seem genuinely happier than my experience of fashion-industry types. But aside from that, I feel the major difference is expressed in their intent. Rather than trying to create an image in order to fit in and be liked by others, comic and sci-fi fans are expressing themselves in a way that is not typically accepted by mainstream culture, and cons are the one place they can actually share that passion with others. I don’t get the sense that con-goers are trying to be cool; in fact, it’s cool not to be cool at a con (the irony is not lost, but you get my point). To put it simply, I it seems like people at conventions come together through a shared LOVE of something, rather than a shared FEAR of something. And that's just cool.

Well that’s enough waxing philosophic for now... More to come on Baba Brinkman’s Rap Guide to Evolution, the Occupy Wall Street protests, and some more cool (mis)adventures I embarked on last weekend.

Oh, and did I mention, I KILLED it in this Black Eyed Peas dance game? KILLED. IT. :)

 

 

Nicki Clyne Fan 'Zine FTW!

Hey everyone! I'm really excited to roll out this lil' collaboration I've been working on. With the help of some talented friends, the first ever "Nicki Clyne Fan 'Zine" has been created! It's all for fun, kind of a throwback to comics from the 50's with cut-outs and games. You can even help Cally find the cylon through a maze! The art work is pretty spectacular, somehow Pedro Vargas captured a certain "Nicki-ness" and managed to translate it into a cartoon.

I'll be releasing a limited edition run of 1000, so get 'em while they're hot! I'm giving first dibs to everyone who comes to I-CON 30 this weekend, then it's fair game to the internet populace thereafter. Every 'zine will be numbered and hand signed - even personalized if you so desire!

Looking forward to hearing what your thoughts! Please send feedback, as this is only the beginning of my creative endeavors.

Here are a few sample pages to whet your appetite, there are 16 total. Full details coming soon... Enjoy!

(i'm glad) some things never change

I've always loved looking at photos of my friends when they were wee little munchkins. Last year for my birthday, I asked my friends to bring along their favorite kid pictures to my party and it was even more fun than I imagined. My favorite part (besides the typically awesome fashion) is noticing the subtle qualities and attributes that are so uniquely “them;" that even twenty or thirty, or forty, years later, they still curl their lip on one side or squint that one eye, or have that expression as if they're waiting for mom to say it's okay to dig in to dessert. You know, those indescribable nuances that allow you to recognize them in a crowd or at a great distance—the way they walk, the way they slouch, they way they flick their hair (even if they no longer have any). There’s a certain innocence to existence I think we often forget, or mistakenly think we lose. We all start out as these little lumps of flesh and love, and then we grow up, and somehow we believe we’re supposed to know stuff, have stuff, do stuff... But deep down, we’re that same little child who stared in awe out the car window, endlessly fascinated with every movement, every smell, every sound. This, I believe, is our nature—this curiosity and joyfulness. I love that photos from our past can be a reminder of that. I was inspired to write about this because I discovered an amazing photo project by Irina Werning. She's been recreating people’s childhood photos at their current age. This is what she says about it:

"I love old photos. I admit being a nosey photographer. As soon as I step into someone else’s house, I start sniffing for them. Most of us are fascinated by their retro look but to me, it’s imagining how people would feel and look like if they were to reenact them today... A few months ago, I decided to actually do this. So, with my camera, I started inviting people to go back to their future."

Quite literally, she takes my fascination to a whole new level. Check them out, I’m sure you’ll love them. Here are a few of my favorites...

the war of art

Speaking of productivity and tackling those projects that turn from light bulbs to dark clouds over your head over time, I'm reminded of an amazing book I read a couple years ago. In fact, I'm going to take it off my bookshelf and re-read it 'cause it's just that good. A friend recommended it to me and then actually bought it for me when he was visiting NYC. He's a screenwriter and he swears it changed his life. When I lived in LA, I used to have lunch or coffee with him and was always impressed when he said he had to go "work." I was like, what work? To him, this meant spending hours on end in a coffee shop on Beverly and typing away on his laptop. This was, of course, long before he was nominated for several Emmys and a Golden Globe, when he was merely a bit-part actor struggling to get by. It just goes to show how persistence and hard work can go a long way. I'm telling you, this book well help light that fire under your bottom and blow any excuse you come up with to stop out of the water. As if that's not testimony enough, it's divided into short, digestable chapters that are entertaining and highly relatable. Okay, I'm going to stop writing and pick up the book now.

hide and speak

I can't remember when I first learned about Chinese artist Liu Bolin, but I've never been able to forget him... Even though I couldn't really see him... Actually, especially because I couldn't see him. His self-portraits have him blending in with a diverse array of backgrounds, so much so that sometimes passersby don't know he's there until he moves. For me, they evoke sensations of isolation and the harsh reality of how we objectify ourselves and each other. There's something about seeing someone painted like that, like an object, that screams out: you can't hide humanity. I find it so powerful. Not to mention the sheer artistry and dedication it takes to create such pieces. They're absolutely breathtaking, beautiful and unforgettable. Here's a sampling of his photographs and a short video:

poster / art

i tried to pick only a few of my favorites, but there are so many good ones...  austrian designer Albert Exergian presents his humorous view on television culture with the minimalist sensibility of someone who doesn't own a television.  very well done in my opinion.  to see all forty posters, go here. 05_30_rock02_true_blood06_heroes31_battlestar10_prison_break09_californication12_lost26_twinpeaks34_sixfeetunder35_flashforward36_stargateyou can also purchase them here.

Gates as the Gateway to the Soul

“What is art?”  Anyone who’s ever strolled through a contemporary art gallery, witnessed a magnificent sunset, or stood in smiling awe over a child’s first painting has surely asked this question.  Some go to such lengths as writing books or dissertations, teaching courses or giving lectures, but in the end, in my humble opinion, it's beside the point.  I like to think of art as the expression of living – unique and personal to every individual.  Art can be found in the way we eat, the way we walk, the way we sign our names.  Of course, just because something is called art doesn’t mean it is valued as art, that’s a whole other story.  What makes art valuable is beyond my ability to comprehend, and beyond the level of mind boggling-ness I’m willing to withstand. In certain ways I’ve endured a love/hate relationship with art.  I love the idea of it: the creative expression of an experience, an idea, a feeling, and the mastery of a skill for the sole purpose of human expression.  However, my logical mind gets the best of me at times.  Walking through an exhibit at the Tate Modern Gallery in London, my focus was abruptly drawn from my internal spinning color wheel of death (mac users, you know what i’m talking about) by my friend’s gentle voice saying, “Are you alright?  You don’t look so good.”  I was pale.  No matter how hard I tried, I didn’t get it.  I couldn’t get it, because there was nothing “to get.”  This is a hard concept for someone who likes to understand everything, or at least feel like she does.  My friend, an art school graduate, successfully quelled some of my discomfort by teaching me about the movements that inspired the work and their reactionary roots.  I felt better knowing there was some logical basis for its creation, even if I didn’t know what it was, or if it was even true.  Still, I recognize this as a limitation.  Art is about the experience, about feeling, about connection, about seeing oneself in the creation of another.  It’s not about understanding or knowing why.

Last night I watched a beautiful documentary on two convicted and passionate artists who challenged me to revive my inner artist and accept it for what it is: an experience of awe and magnificence.  Christo and Jeanne-Claude are famously known for their controversial works around the world: the umbrellas (in California and Japan 1984-91), wrapped trees (in Switzerland 1997-98), and Pont Neuf wrapped (in Paris 1975-85), to name a few.  They take no money from sponsorships or donations, each (expensive) project is funded completely by the private sale of Christo’s preliminary paintings and sketches of the project to be, as well as previous paintings and works of art.  Their passion has no rational, no explanation, simply that they want to make it.  And they want to make it so badly that the project that was the subject of the documentary spanned nearly 30 years.

The film itself contained incredible 16mm footage of interviews with New York City officials in the 1970’s, meetings with angry citizens, and many a convicted opposition.  Next to Christo’s broken English and bumbling professor-like nature, the opposing arguments felt violent, irrational, and even mean.  Each person’s vested interests were illuminated and exposed (including the artists themselves), often appearing absurd in the face of the simple and undeniable beauty of the proposed project.  What amazed me most, and what still gives me a chuckle when I think about it, is this statement from one of the artists:

"I have unstoppable urge to do this project. The absolutely irrational, irresponsible, with not any justification.  This project is happening only because the artist likes to have them."

And why not?  The installation was up for two weeks, despite the public's pleas for a longer run, and all the materials were recycled, the park left just the way it was before - though perhaps never to be experienced the same way for those who witnessed The Gates.

photo by wolfgang volz

I personally wasn’t witness to the event in New York City in 2005, but the film presented half an hour of (cut from an apparent 350 hours of footage) of the event.  Children laughed and played, some called it a big worm.  Tourists took photos, described their joy.  Runners and cyclists completed their usual routines, through the glorious gates.  From the myriad points of view, I got a sense of what it was like; I felt feelings of magnificence and wonder, the kind that art is made to conjure.  Beyond my better judgment, I was deeply moved by the orange colored steel gates with fabric flapping in the wind, the gates with no purpose but to exist, no meaning beyond the vision and perseverance of two human beings.

If you want to read more about the controversy surrounding their creation, here are some articles:

http://www.cbsnews.com/stories/2005/02/11/60minutes/main673489.shtml

http://www.nytimes.com/ref/arts/design/GATES-REF.html

http://www.smithsonianmag.com/arts-culture/christo.html

If you want to find out more about the documentary filmmaker Antonio Ferrera, check him out here:

http://www.ferrerafilms.com/

"nameless," not hopeless

i never intended for this space to host a slew of movie reviews, but it just so happens i saw another film last night that left me in a total state of disarray - in the best possible way.  i was so impressed by this film, i walked out of the theater feeling as if i'd left a layer of myself inside.  i felt vulnerable, struck with a reality i hadn't prepared for, coupled with intense feelings of compassion, sadness, and hope.  Cory Fukunaga's remarkable artistry offers a rare, albeit heartbreaking, humanity as he follows the story of two troubled young souls searching for a better life.  the story itself is simple, yet Sin Nombre's breathtaking cinematography, spectacular performances, and refined exposition carry us on a journey we don't even know we're on until we turn around to see the dust in our wake, taste the grit in our teeth.  despite having been able to discuss the film at length, with passion and conviction, over a dinner i could barely eat, somehow i feel at a loss for words.  what it triggered in me was deeply personal.  it exposed how my petty concerns lead me to fail in experiencing my own humanity every day; how my fears and lack of inner resolve prevent me from pursuing an honest and noble struggle.  with hesitation, i might say it is sometimes difficult to understand the value of life when it is so comfortably preserved by our technologically advanced society.  yet to have what we have is not a responsibility to be taken lightly.  thoughts of this nature are currently heavily weighted in my mind and i hope my future actions will reflect this continuous processing of what it means to possess such a privilege - the privilege to lead a ponderous existence.  i am grateful for the art and expression that provokes such explorations. [youtube]http://www.youtube.com/watch?v=VTSi0pKjC5g[/youtube]

laughing all the way to the bank-sy

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the first time i saw banksy's work was on the side of a bridge in south london several years ago.  it said banksy in big paint rolled letters.  a few years later, i heard he was having a show at a warehouse in downtown la.  so being the hipsters and seekers of fun that we are, my friends and i traveled to the "secret" location and braved the sweat soaked crowds and sunglassed celebrities - and sweaty sunglassed celebrities - to see what all the fuss was about.  one thing i can tell you deserved the fuss was the decoratively painted pink elephant chilling out inside a white-picket-fence-enclosed replica of the married with children living room.  first, you'll be happy to know the paint used to make him blend in with grandma's bathroom wallpaper was not harmful in any way physically to the elephant.  whether is was a particularly pleasurable experience for the little guy, we may never know.  let's just hope he likes pink.  we watched him get fed m&m's by the hand full, so life couldn't have been all that rough.  regardless it was quite an impressive sight.  in fact the oglers' reactions were almost as engaging.  the overall impression seemed to be one of curiosity, shock, and disbelief along with an "i'm not sure how i feel about this so i'm going to wait until i read what they say in the la weekly to thoroughly form my opinion" type attitude.  confused might be the most accurate pulse of the crowd, but that could have been an effect of the heat stroke more than the elephant in the room, or was that just macaulay culkin...  anyway, the art.  yes, the art.  banksy makes cleverly and succinctly executed pieces of irreverent social commentary.  you may have seen his stenciled graffiti on melrose or his name across a building in london, like i did.  but his art is getting more and more sophisticated, and evidently so is his wallet.  what i find most interesting is how he is now participating in the very system he makes a mockery of in his work.  though, whose ironic laughter is louder, i'm not sure.  apparently all the proceeds of his work go to allowing him to travel the world and do his thing, which seems to be a worthy cause.  and he's certainly not in it for the fame since his actual identity remains a mystery even to this day.  but whatever the intent behind his work, i think his message is clear.  not only is it clear, it is poignant, provoking, controversial and beautiful.  i could tell you what his message is, or at least what i think it is, but i think that would diminish the very thing he's trying to incite in his onlookers.  so check out his work and figure it out for yourself.  have a good chuckle or a horrified gasp, just don't pretend like you don't know what the fuck he's talking about.

banksy

and for further interest check out:

new yorker article